'The Stand' a medium to large vessel with a ring of Aspen has been chosen to be exhibited in the Red Rocks Community College gallery this summer.
Front Range Contemporary Quilters has sponsored an exhibit to be shown in Lakewood, Colorado with a June 9th reception. I hope those of you nearby can spend some time viewing the wonderful art made by this group.
A Multi-Media Exploration of My World
Creating Art with Fiber, Beads, Paint, Dye and more... Margaret Adele Parker
Tuesday, May 23, 2017
Tuesday, March 28, 2017
"Under the Western Sun"
"Under the Western Sun" is a regional SAQA show. The opening date is April 27, 2017 with the opening reception the next evening, Friday, April 28th. from 6-8 pm. Rocky Mountain Quilt Museum in Golden, Colorado
Two of my vessels were juried into 'Under the Western Sun' show from SAQA regional artists in Colorado, Utah and Wyoming. I am very pleased that this show will travel to New Mexico and Utah until the end of 2017.
I have been doing landscape vessels this year. Here is the picture of the one that was accepted, Hematite. Hand painted fabric and micron pen.
The second piece is a small vase shaped vessel using commercial fabric and paint. "Wildfire".
Two of my vessels were juried into 'Under the Western Sun' show from SAQA regional artists in Colorado, Utah and Wyoming. I am very pleased that this show will travel to New Mexico and Utah until the end of 2017.
I have been doing landscape vessels this year. Here is the picture of the one that was accepted, Hematite. Hand painted fabric and micron pen.
Hematite
Wind, water, erosion, uplift and red! Hematite, a rusty red
iron oxide mineral coats the particles that form the west’s massive sandstone
and shale canyon walls and colors the rock formations of the plateaus and high
deserts their distinctive red. The hand painted cotton used to cover this
vessel captures the color and the pen and ink brings into focus the rock faces
of cliffs so loved west of the Front Range. For those of us who love these
canyons, I hope this vessel pulls memories of desert varnish, rushing river
beds, shadows and sunlight and the piercing call of a raptor.
The second piece is a small vase shaped vessel using commercial fabric and paint. "Wildfire".
Wildfire
Terrifying, awesome, destructive. The wildfires of mountains and plains can
blacken the skies, consume nature’s bounty and the work of man. I have
embellished the commercial fabric covering this vessel with deep red acrylic
paint and novelty fabric to convey the intensity felt when experiencing the
power of wildfire.
Saturday, February 11, 2017
I have three vessels in the FRCQ Website Portfolio
Front Range Contemporary Quilters is a wonderful group of amazing artists. Fresh ideas, local and international lecturers and workshops keep us all engaged and on our toes. Members come from the north and south on the front range, mountains and plains. We have members join our monthly meetings from Laramie and often visitors from thousands of miles away.
Each year members are asked to submit up to three pieces made within the current calendar year to be juried and placed on the website, www.artquilters.org, for the next twelve months.
Please take a few minutes to enjoy the art posted this year. I am so happy to have three fabric vessels in the display. The home page has most of the pieces. Two of my vessels are there and can be clicked on for a full view. Many are repeated and my third vessel is featured under the 'Gallery' tab.
I have made many friends in the group and have benefitted from their talent, sharing of experiences, techniques and support.
Saturday, January 28, 2017
Word for 2017 - Discipline
No - not the 'spare the rod and spoil the child' kind of discipline.
The 'keep on the straight and narrow' kind. Keep to a schedule. Make a plan and stick to it.
Don't find excuses. Plow through. and so on......
I chose the word in December. It is the end of January and I am just now putting the idea on paper and committing to it via this post. It has taken me almost a month to get the show on the road.
But I have been moving forward this week. Now I have to remember during the rest of the year how good it feels to be accomplishing!
The 'keep on the straight and narrow' kind. Keep to a schedule. Make a plan and stick to it.
Don't find excuses. Plow through. and so on......
I chose the word in December. It is the end of January and I am just now putting the idea on paper and committing to it via this post. It has taken me almost a month to get the show on the road.
But I have been moving forward this week. Now I have to remember during the rest of the year how good it feels to be accomplishing!
Tuesday, November 29, 2016
Have I committed heresy?
What will people think?
What do I think?
I have an affinity to silk.-----many people do. In the textile world, silk is the queen. There is a silk for every technique. It can be sheer, opaque, smooth, textured, neutral, colored brilliantly or with reserved elegance, frayed, clean cut, and dozens of other properties.
But what if I mutilate it? take away it's hand? kill a quality that others find so wonderful?
Have I done wrong? Or have I used this precious textile in a new way for a new idea? Will I be condemned because I have sacrificed one attribute to enhance another? I want to freeze it into position! I want to change it's texture yet enhance it! I want to use it because this piece of raw silk will work for me in this piece as no other fabric can. So I will destroy properties that so many love to create something new and perfect for me and my creativity and expression.
There is a dilemma facing textile artists who wish to change traditional textiles into something different. Glue Grandma's crochet, cut up Aunt Mary's table linens, quilt Mom's hankies. There is respect for the original, fabric, hand work, memories in the use, and joy of owning a family piece or a collector's find. Where is it dishonor to re-use? When does re-use or modify become destroy or exhibit loss of appreciation for the item?
Will I weep over the loss of this white raw silk when I go through my stash? No.
Will I be energized looking at my finished piece? I hope so.
Or would society or fellow textile buffs be unhappy if I collage my grandfather's watercolor onto masonite?
Perhaps society is not ready to cut up tradition or change the familiar into the unexpected.
This fabric vessel was skinned with white raw silk. I patted the gel gloss onto the fabric to maintain the bumpy texture of the fabric. I like it.
Sumac by Margaret Adele Parker---
What do I think?
I have an affinity to silk.-----many people do. In the textile world, silk is the queen. There is a silk for every technique. It can be sheer, opaque, smooth, textured, neutral, colored brilliantly or with reserved elegance, frayed, clean cut, and dozens of other properties.
But what if I mutilate it? take away it's hand? kill a quality that others find so wonderful?
Have I done wrong? Or have I used this precious textile in a new way for a new idea? Will I be condemned because I have sacrificed one attribute to enhance another? I want to freeze it into position! I want to change it's texture yet enhance it! I want to use it because this piece of raw silk will work for me in this piece as no other fabric can. So I will destroy properties that so many love to create something new and perfect for me and my creativity and expression.
There is a dilemma facing textile artists who wish to change traditional textiles into something different. Glue Grandma's crochet, cut up Aunt Mary's table linens, quilt Mom's hankies. There is respect for the original, fabric, hand work, memories in the use, and joy of owning a family piece or a collector's find. Where is it dishonor to re-use? When does re-use or modify become destroy or exhibit loss of appreciation for the item?
Will I weep over the loss of this white raw silk when I go through my stash? No.
Will I be energized looking at my finished piece? I hope so.
Or would society or fellow textile buffs be unhappy if I collage my grandfather's watercolor onto masonite?
Perhaps society is not ready to cut up tradition or change the familiar into the unexpected.
This fabric vessel was skinned with white raw silk. I patted the gel gloss onto the fabric to maintain the bumpy texture of the fabric. I like it.
Sumac by Margaret Adele Parker---
Wednesday, November 2, 2016
40 West Arts Showcase.
I am so pleased to be a part of 40 West Arts.
Three of my vessels and several pieces of wall art are going to be in the November Members' Showcase. Nov. 4-19th, 2016. Reception: Friday, Nov. 4th, 5-8p.m.
This is "Prairie Grasses". Hand painted cotton and pen drawing. I have had an attachment to the prairie since I was a child and my godmother and parents worked to keep the Big Bluestem from disappearing in Illinois. The Illinois Prairie Path was created and is still used regularly in the suburbs of Chicago, accommodating bicycles, horses and walkers.
Prairie Edge
This basket shape is nice for coffee tables. It is made entirely from fabric. The exterior skin and interior lining are hand painted and finished with a gloss top coat. Note the beaded top edge.
Prairie Earth is the smallest diameter piece I have made. Detail of the hand painted fabric.
We hung the show this morning and there are wonderful pieces by ten area artists in photography, mixed media, oil, acrylic and collage. The reception is Friday, November 4th, from 5-8 p.m.
Here are my wall pieces.
Skyline Shadows, a 3-deimensional fabric rendition of the Denver skyline.
Leaf, printed, pieced and hung on an acrylic painting.
Thermal Run Off Series #6
Mixed media, cotton, upholstery fabric, painted misty fuse and beads on a black cotton stretched canvas.
Art Circuit
Recycled tech pieces mounted on commercial cotton stretched canvas with raised beading.
Tuesday, October 25, 2016
Handweavers' Guild of Boulder 2016 Sale
I am so please to have had three vessels chosen to be in the Handweavers' Guild of Boulder 2016 sale and showcase.
While I am no longer weaving or spinning, I have always been involved in textiles. Mixed media options have allowed me to combine fabric and acrylic products in producing fabric vessels that sometimes have the look of other materials such as wood, leather or ceramics.
These vessels are entirely made from fabric and embellished with a variety of techniques and finished and/or glazed with acrylic products.
The Handweavers Guild of Boulder is a long established guild that has broadened its base of techniques to include beading, felting and quilting.
I am very happy to have my vessels showcased during their sale week Nov. 2-6, 2016. Here are details from these vessels.
While I am no longer weaving or spinning, I have always been involved in textiles. Mixed media options have allowed me to combine fabric and acrylic products in producing fabric vessels that sometimes have the look of other materials such as wood, leather or ceramics.
These vessels are entirely made from fabric and embellished with a variety of techniques and finished and/or glazed with acrylic products.
The Handweavers Guild of Boulder is a long established guild that has broadened its base of techniques to include beading, felting and quilting.
I am very happy to have my vessels showcased during their sale week Nov. 2-6, 2016. Here are details from these vessels.
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